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Oresteia: The Libation Bearers - The Eumenides
Υλικό
Oresteia: The Libation Bearers - The Eumenides
(1949)
Single show
Programs
Publications
Photographs
Music
Oresteia: The Libation Bearers - The Eumenides
(1949)
Programs
1
Publications
23
Photographs
5
Music
2
Programs
1
See program
Publications
23
Danse creation
Elliniki Dimiourgia (Greek Creation)
A few moments with Clytemnestra. Note
Elliniki Dimiourgia (Greek Creation)
The aesthetic basis of the performances
Elliniki Dimiourgia (Greek Creation)
The music of the trilogy
Ethnos (Nation)
Projecting national forces. ("Oresteia" and Mrs. Marika Kotopouli)
Nea Estia (New Focus)
The music in "Oresteia"
Ta nea (The news)
Open letter to the manager and director of the National Theatre for the performance of "Oresteia"
O Aionas mas (Our Century)
The music in "Oresteia"
Eleftheria (Freedom)
How does the director of "Orestia" Mr. Dimitris Rontiris work
Kairoi (Times)
The great artistic event. The performance of "Oresteia". Odeon of Herodus Atticus - National Theatre
Elliniki Dimiourgia (Greek Creation)
"Oresteia". Odeon of Herodus Atticus, National Theatre. Aeschylus "Agamemnon" - "The Libation Bearers" - "The Eumenides"
Nea Estia (New Focus)
Music in the performance of "Oresteia" by the National Theatre
Nea Estia (New Focus)
Aeschylus "Oresteia" at the Odeon of Herodus Atticus, by the Royal Theatre. Directed by Dimitris Rontiris
Elliniki Dimiourgia (Greek Creation)
"Oresteia" in the Odeon of Herodus Atticus. Marika Kotopouli was excellect
Fos (Light)
Misuc and dancing for "Oresteia"
I Vradyni (The Evening)
Aeschylus "Oresteia" (II "The Libation Bearers" - III "The Eumenides") by the national stage, at the Odeon of Herodus Atticus
Peiraiki Zoi (Piraeus Life)
Aeschylus "Oresteia"
Machi (Battle)
Aeschylus "Oresteia" II
Machi (Battle)
A Greek artistic victory. The performance of "Oresteia" by the National Theatre at the Odeon of Herodus Atticus
Ethnos Lefkosias (Nation of Nicosia)
The background to the tragedy. Chief musician G. Lykoudis
Ta nea (The news)
Tryals
Estia (Focus)
A l'Odéon d'Hérode Attikos. La fin de l'"Orestie": Les "Choéphores" et les "Eumenides"
Le Messager d’Athenes
An artistic time
Macedonia of Thesssaloniki
Photographs
5
At the center: Elsa Vergi (Ηλέκτρα). Dimitris Myrat (Ορέστης). Women's Chorus.
Elsa Vergi (Ηλέκτρα), Dimitris Myrat (Ορέστης). On the right: Anna Synodinou (Χορός). Women's Chorus.
At the center: Elsa Vergi (Ηλέκτρα). Women's Chorus.
Eleni Nenedaki (Χορός), Kakia Panagiotou (Χορός), Anna Synodinou (Χορός), Iro Palli (Χορός).
In front: Βασιλεύς Παύλος Α΄, Dimitris Myrat (Ορέστης). Far right: Dimitris Rontiris (Συντελεστής-Σκηνοθέτης). At the center: Rallou Manou (Συντελεστής-Χορογράφος).
Music
2
Τίτλος:
Ορέστεια: Χοηφόρες
Music composer:
Menelaos Pallantios
Score for orchestra
Score for oboe
Score for English horn
Score for clarinet in C-flat and in A.
Score for bassoon
Score for horn Ι in F
Score for horn ΙΙ in F
Score for trumpet Ι & ΙΙ in C
Score for trombone Ι & ΙΙ
Score for drums
Score for gran cassa
Score for snare drum
Score for gong
Scroe for tam-tam
Πάρτα για πιάτα (piatti)
Score for harp
Score for viola
Score for violoncello
Score for double bass
Spartito for voice and pianoComments: The parts of the Chorus are written in recitation form, over the piano accompaniment, and divided into musical bars. Also, the text is not rendered musically but rhythmically. Page (8) eight entitled "Lament" is intended for voice only, as there is no piano part noted in the score.
Τίτλος:
Ορέστεια: Ευμενίδες
Music composer:
Menelaos Pallantios
Score for orchestra.
Score for oboe.
Score for clarinet in C-flat and in A.
Score for bassoon.
Score for horn Ι in F.
Score for horn ΙΙ in F.
Score for trumpet Ι & ΙΙ in C.
Score for drums.
Score for trombone Ι & ΙΙ.
Score for piatti.
Ascore for tam-tam.
Score for gran cassa.
Score for harp.
Score for violoncello.
Score for viola.
Score for double bass.
Score for English horn.
Spartito for voice and piano.Comments: On page 20 of the spartito, No. 8a is a voice score. The same applies to page 23, as well as to No. 9.
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